Paulution (Charnel Number Five) Hugh Le Caine
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4:12
Paulution (Charnel Number Five) (1971-72) (4:09) demonstrates a liberal use of pitch bending and vibrato. The three-octave touch-sensitive keyboard of the polyphonic synthesizer had a separate tunable oscillator and waveform control for each key.
Source: 2004
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Linked project
Also part of Compositions Demonstrations 1946-1974 .
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