Velocity (1996)9:57Peter BatchelorPresence II, 1, 3
This piece involves an exploration of ways in which speed (or, conversely, stagnancy) might be implied entirely through the use of sound, both ‘real’ and ‘unreal’, and placed within a context that allows it free reign as a musical device. Cinematic elements suggesting movement have been combined with gestures and textures of varying energy and complexity — the electroacoustic medium permiting fluid interaction between the two.
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