This piece involves an exploration of ways in which speed (or, conversely, stagnancy) might be implied entirely through the use of sound, both ‘real’ and ‘unreal’, and placed within a context that allows it free reign as a musical device. Cinematic elements suggesting movement have been combined with gestures and textures of varying energy and complexity — the electroacoustic medium permiting fluid interaction between the two.
- Year of composition:
- Duration of the submitted work:
Antunes, Bannerman, Batchelor, Bradley, Chen, chippewa, Chuprun, Fitzell, Fumarola, Gerwin…36 tracks