Electric Symphony: Fuga (2000)5:46
The last of the major composition models that can be used for bringing cybersounds into motion, is the most floating one: the ‘Fractal’, or its historical predecessor, the fugue.
The presented “Fuga” still relies on a linear metric scheme but it proves a completely non-linear and organic approach of the formal structure, developing discourses of various sound chains while starting each time from a different point of origin. This process compares, for example, to the natural grown branches of a plant.
A real fugue — but played on a noisy ‘organ’…
- Year of composition:
- Duration of the submitted work: