Wolves Sarah Davachi

‘wolves’ is a partially acousmatic piece in which processes of analog sampling and digital sample manipulation comprise the majority of compositional technique. The original sounds used in this composition derive entirely from recordings of indefinitely pitched analog and traditional acoustic instrumental sources. The formal intention with the piece was to extend a loosely organized A-B-A form within an electroacoustic context in which emphasis would be placed on the aural distinction and modification of layers between sections.

  • Year of composition: 2009
  • Genre: Electroacoustics
  • Format: Fixed media
  • Software used: Digital Performer, Kontakt, Peak
  • Duration of the submitted work: 4:46
  • Production: University

Linked project

  • Acosta, Arsenault, Ashton-Beaucage, Barrette, Basanta, Beaudoin, Bergeron, Bond, Bowles, Boyko…
    92 tracks

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