This piece was sort-of inspired by Harry Partch’s ‘Delusion of the Fury’. I had been listening to the piece quite a lot before I started working on my composition. I found I couldn’t avoid it’s influence, especially once I started working with percussive sound sources. Hence the ‘spectre’ of the title. This is also an reference to the use of spectral processing the piece.
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Basanta, Black, Campion, Coubrough, Delaney, Hooker, Johnston, Long, McConaghy, Oliveiro…14 tracks
Acosta, Aglat, Arbour, Aubourg, Austin, Barrette, Basanta, Berger, Bird, Black…64 tracks