Neige cendre Guillaume Campion

With the exception of a few forest sounds and piano samples, all sonic material heard in Neige cendre comes from quartz crystal vessels. These instruments, commonly used for meditation or music therapy, produce a sound which is very close to sine waves. However, when listening closely, one notices a number of parasite sounds produced when the instrument is played — frictions, faint whistling and other imperfections without which the vessel’s sound would be of little acousmatic interest. Neige cendre is thus a sort of narrative between the two sides of a single reality, the “pure” and “impure” sides of it, all tending towards their ultimate poetic fusion. I wish to thank Philippe-Guy Robichaud for the use of his crystal vessels.

  • Year of composition: 2011
  • Genre: Electroacoustics
  • Format: Fixed media
  • Hardware used: Sound Devices 702, Audio-Technica AT-825, Rode NTG-2
  • Software used: Peak Pro 7, MaxMSP, Cecilia 4, Digital Performer
  • Duration of the submitted work: 11:24
  • Production: Home

Linked projects

  • Arango Valencia, Barrette, Campion, Corbeil-Perron, Hoff, Perron
    6 tracks
  • Andean, Arango Valencia, Barrette, Bouchard, Boyko, Braden, Brown, Camier, Campion, Cohen…
    38 tracks

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