In this musical work, the deconstruction of the human feminine gender is a goal, reached by concealing and subordinating the primary referents that could define a woman in what sound sources respects -and thus re-elaborating femenity-, and genitalize their composition suggesting an omnipresent sexuality, if not evident, always latent. In The Language of the Skin Nicolás Arnáez uses eight sonorus sources diverging at the beginning, which are desplayed and elaborated in the time. Finally, they are all integrated by the textural manipulation made in studio.

Source: 2013