The noisy God Mouth is off kilter, frantically changing in pace, rhythmically stretching and condensing. The tension between the unpredictability of its pulse and the relative simplicity of its harmonic narrative is intended to engage various listening agendas, the classical ear can deduce and even anticipate its cadences, while the electroacoustic strain of microstructural listening is also applicable, considering its textural complexity. A composition of hauntological echoes, fractured performances, classical sound arrangements being decomposed and recomposed through time, serving as digital gestures.
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