Trois perspectives sur une entropie positive explores the degree of instability and unpredictability of a sound structure. The project is rooted in a saxophone sound recording that has been distorted, fragmented and artificially reconstructed. The chaotic aspect of the processing devices used made it possible to oscillate the sound material between the poles of inertia / agitation and continuity / discontinuity. Ultimately, the intention may be to bring together the intrinsically discontinuous nature of the digital medium and the continuous nature of our perception.